Elena Maximova

ELENA MAXIMOVA completed her vocal training at the Tschaikowski-Conservatoire in Moscow and became engaged as a soloist to the Moscow Stanislavski Music Theater. There, Elena Maximova was heard, among others, in the following roles: Polina (Pique Dame), Siébel (Faust), Orlofsky (Die Fledermaus), Su­zuki (Madama Butterfly), Rosina (Il barbiere di Siviglia), Olga (Eugen Onegin), Carmen and Charlotte (Werther). Elena Maximova gave her debut in 2005 on the stage of the Bavarian State Opera in...

ELENA MAXIMOVA completed her vocal training at the Tschaikowski-Conservatoire in Moscow and became engaged as a soloist to the Moscow Stanislavski Music Theater. There, Elena Maximova was heard, among others, in the following roles: Polina (Pique Dame), Siébel (Faust), Orlofsky (Die Fledermaus), Su­zuki (Madama Butterfly), Rosina (Il barbiere di Siviglia), Olga (Eugen Onegin), Carmen and Charlotte (Werther). Elena Maximova gave her debut in 2005 on the stage of the Bavarian State Opera in a new production of Rigoletto (Maddalena). She also sang there Suzuki, Carmen, Olga and Frederica (Luisa Miller). Furthermore, she has sung at the Opéra in Lyon (Eugen Onegin, Pique Dame) and performed as Carmen at houses like the Berlin State Opera, the Teatro Comunale in Florence, the Palau de les Arts in Valencia and in the Scala. Elena Maximova is also active worldwide as a concert singer. Recently she sang Carmen, Preziosilla, Charlotte, Despina, Rosina, Nicklausse and Isabella in Moscow, Giulietta at the Met, Carmen and Eboli in Helsinki, Charlotte in Tokyo, Olga at the ROH Covent Garten and at the Met. At the Wiener Staatsoper she gave her debut in 2012 as Carmen and continued to sing Maddalena, Marfa, Eboli, Rosina and Polina.     http://www.wiener-staatsoper.at/Content.Node/home/kuenstler/saengerinnen/Elena-Maximova.en.php

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