Mohammad Reza Aslani

Mohammad Reza Aslani was born in Rasht, Iran, in 1943 and graduated in Art and painting from Teheran’s Faculty of decorative arts. He spent his filmmaking training in the Ministry of Culture. Aslani started his professional carrier in cinema in 1967 with the documentary film “Hasanlu Cup”, and then worked with another project “Child and exploitation (1982)”, a documentary made with the aim of display for management community. It was one of the best documentaries made in Iran in eighties. ...

Mohammad Reza Aslani was born in Rasht, Iran, in 1943 and graduated in Art and painting from Teheran’s Faculty of decorative arts. He spent his filmmaking training in the Ministry of Culture. Aslani started his professional carrier in cinema in 1967 with the documentary film “Hasanlu Cup”, and then worked with another project “Child and exploitation (1982)”, a documentary made with the aim of display for management community. It was one of the best documentaries made in Iran in eighties. But shortly after its release it was informally banned and marginalized in 1982. Aslani’s first feature film called “The chess game of the Wind” (1976) was a new and different experience in Iranian cinema, which also was very daring. Iranian actress Shohreh Aghdashloo began her artistic activity with this movie by playing the role of a servant. Aslani made television series like “Samak Ayyar,” “light mist,” “logic of the flight”, script writing for movies such as “line”, “switchman”, “The Silent City,” “bottleneck,” “Requiem”, “the fourth morning,” “Stone Garden”. He wrote three books of poetry, “Bench Nights and Wind Days,” “The difference between the two Maghreb” and “Requiem for prohibited years”. Teaching at academies of Sura and cinema and theater, writing critical essays and comments about cinema is among Aslani’s other activities. His professional activities are enumerated. —onlinefilmhome.dk

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